Article published in “Forget Fear” – 7th Berlin Biennale’s Book

To protest Israel’s occupation of Palestine (and occupation everywhere), I teamed up with Khaled Jarrar to stamp my passport and raise my pen. Now Khaled’s work is being shown at the 7th Berlin Bienalle and my article has been published in the Bienalle’s book (yes, it’s my first print publication with ISBN number)!

FORGET FEAR

THE FIRST PUBLICATION OF THE 7TH BERLIN BIENNALE

edited by Artur Żmijewski and Joanna Warsza.

“The first publication of the 7th Berlin Biennale—Forget Fear—is a report on real action within culture, on the uses of artistic pragmatism. It is about concrete dealings by artists, curators, and politicians that lead to visible effects. We’re interested in finding answers, not asking questions. We’re interested in situations where art acts for real and solutions are proposed and implemented responsibly. We are interested neither in preserving artistic immunity nor in distancing ourselves from society. We consider politics to be among the most complex and difficult of human activities. We sought out people—artists, activists, politicians—who engage in substantive politics through art.

Forget Fear includes texts and conversations with political leaders such as Antanas Mockus, former mayor of Bogotá, who has significantly contributed to social change with a political theory stemming from art; theater-maker Árpád Schilling, who abandoned bourgeois theater to act directly within the political context of right-wing Hungary; Voina Group, who doesn’t believe in art without engagement; Tímea Junghaus, who uses art in a struggle against the oppression of the Roma people in Europe; the Brazilian underclass tagger groups Pixadores, who attacked the Sao Paolo Biennale; and the Icelandic Best Party, which came to power after the financial crash in 2008. All these actors use performative tools in order to make their cases, and to reveal the social and political forces and interests lurking in the background. With this first publication, we present leftist engagement not only as a critical, self-referential condition, but also as a proposition for empowerment and a productive set of political practices.”

With contributions (amongst others) by Paweł Althamer, Gábor Bakos, Yael Bartana, Einar Örn Benediktsson, Daniel Blatman, Christian Boltanski, Galit Eilat, Olafur Eliasson, Julián García, Jón Gnarr, Jan Tomasz Gross, Jerzy Hausner, Péter Juhász, Gideon Levy, Renzo Martens, Antanas Mockus, Joanna Mytkowska, Luis Ospina, the Pixadores, Srđa Popović, Alison Ramer, Dorota Sajewska, Árpád Schilling, Marcin Śliwa, Igor Stokfiszewski, Hans-Christian Täubrich, Joanna Tokarska-Bakir, Fernando Vallejo, the art collective Voina, Zofia Waślicka and Rafał Żurek as well as a CD by Teresa Margolles.

To read the forward, written by Artur Żmijewski, click here.

“Little Red” Video Art and Short Story

By: Alis, Motaz and Issa

Song: “Twisted Nerve” – Kill Bill Soundtrack

This is the second draft of a video art piece that I made in the 12 hours bridging my last day as 24 and my first day as 25. It is a gift to my friends, family.

The photographs used for this stop-motion video were shot on an incomplete part of the Separation Wall in Bethlehem, 20 minutes from downtown Jerusalem. Sitting atop the highest mountain, next to the famous Everest Hotel, this location has some of the most beautiful, sweeping views of Bethlehem and Jerusalem.

My friend Motaz, who grew up in and lives in Bethlehem (Beit Jalla), showed me the site before the wall was constructed — it was a natural wonder where we could escape all occupations. Over the course of the last year, we spent many afternoons sitting on the olive terraces, breathing in the fresh air — finding peace in such a noisy place.

Like a new building that blocks your view, the birth of the wall was ugly, violent and threatened the natural beauty of the land. In response, sometimes I tried to push on the wall — as if I could make it move just a bit. Other times, I let go of the physical space and pretended to have a magic wand that could make it all disappear.

Both my imaginary and physical responses to the wall were insufficient — after I let the wall hurt me so terribly I had to change first how I felt about the wall, before I could change it.

There, in a dance with the wall and my friend, we found Little Red and together, we made beautiful memories.

Follow-up: 

Shortly after I posted this story I wrote this short story, an adaptation of “Little Red Riding Hood” or “Layle” (Palestinian version).

Once upon a time, there was a beautiful little girl who was loved by everyone who met her. Her mind was as wide as the sea, she was fertile, resilient, kind and welcoming.

For centuries, suitors came from near and far to try and marry her. But every time, she refused. Even with all their promises of freedom and security, Little Red knew that the only way she could truly be free was if she freed herself.

One day, a suitor came to Little Red’s house. She lived with her parents in her grandmother’s home on a beautiful mountain overlooking a wide valley. The suitor wanted to marry her, but she refused. “You will not take away my freedom,” she said.

The suitor was insulted. “The only way you will ever be free is if you marry me,” he said.

“I will not accept,” said Little Red. And with that, the suitor murdered her mother and fled the house.

After her mother was killed, Little Red and her father left the mountain to make a new home. They tried to get her grandmother to come, but she refused, and so they went to make their home on the other side of the valley.

But this was not enough for the suitor. He still wanted revenge. So to make Little Red’s life more difficult, he filled the valley with soldiers and made a rule that no women could pass without their husbands.

One day, Little Red’s father became very sick. He begged her to go to the mountain and pick herbs to make him healthy again. But when Little Red went to the mountain, she found that the suitor had burned all of the mountain side, and that only the mountain on the other side of the valley was still fertile.

Knowing that she had to save her father, she decided to go to the otherside of the valley to her grandmother’s house. Before she reached the valley filled with soldiers, she met a wolf. She had never met this kind of creature before, so she was not afraid of him.

“Hello, Little Red,” he said.

“Hello, Wolf,” she said.

“Where are you going?”

“To my grandmother’s house.”

“Across the valley?”

“Yes, across the valley.”

“But how will you cross? You aren’t married and the soldiers never allow women to cross by themselves.”

“Thank you for your kindness wolf, but I will find my way,” she said.

But she was so beautiful that the wolf couldn’t let her go. He wanted her for himself. He knew that if he had her, he would be the most powerful suitor in all of The Land.

“Well, I happen to be going the same way,” he said. “So I will just walk beside you for a short time.”

Even though Little Red wanted to be alone, she was glad for the wolf’s company, since it made it easier for her to cross the valley of soldiers. And together they passed without one soldier turning his head.

Eventually, Little Red was far enough from the soldiers that she wanted to be alone. “Thank you wolf,” she said. “I must go now and pick some herbs.” So she started to climb the rocky olive terraces looking for herbs and whenever she saw a patch of herbs on a higher terrace, she climbed higher and higher, until she was far from the wolf.

In the meantime, the wolf ran straight to her grandmother’s house and knocked on the door.

“Knock, knock, knock!”

“Who’s there?” called the grandmother from inside.

“Little Red,” replied the wolf. “I am free Grandma! I have come home!”

“Come in! Come in!” cried her grandmother. “I am too weak to get up, but come in and we shall celebrate!”

The wolf opened the door and went into the grandmother’s house. Surprised to see a wolf, the grandmother screamed. The wolf became frightened that the soldiers would hear him, so he stripped, gagged and blindfolded the grandmother and then, devoured her. He put on her clothes, climbed into bed and waited for Little Red to arrive.

In the meantime, Little Red, picked so much mint, maramiya and zatar that her hands were full, she started to make her way her grandmother’s house. But when she arrived, she was surprised to find the door of the house open. She went inside and found her grandmother curled up in the bed, the blankets covering her face.

“Oh grandmother,” she said. “I am here! I am here! I am sorry it took me so long, but the way wasn’t easy.”

She sat on the bed next to her grandmother and put her hand on her grandmother’s shoulder. Suddenly, the wolf uncovered himself and threw the blanket over Little Red. Unable to see or move, he swallowed her in one bite.

After his second big meal, the wolf was tired and he fell asleep in the bed without a thought.

But Little Red was still alive. Her grandmother, weak and tired, was sleeping in the stomach of the wolf, but Little Red yearned to be free. Around her grandmother’s neck, she found a key. The key she had been carrying for years and years. Although it was dull and rusted, Little Red knew that it was her only hope. So she took the key and started carving out the inside of the wolf’s stomach.

The wolf started to wrestle, for now his stomach was making noise.

“Oh, won’t you just be quiet,” he said to his stomach. “I’ve been deprived of a good for a meal for so long, I deserve to have this one!”

But Little Red wouldn’t stop. She just kept pushing the key further and further into his stomach until she had carved out several little holes all in a row. These holes made the wolf nauseous, and even though he was too fat to move, he rose from the bed and went to the door to get some fresh air.

There he was greeted by a visitor from a far land, who upon seeing the door open, came to the grandmother’s house to check on her.

“What’s happening here?” asked the visitor.

“Nothing, nothing” said the wolf, holding his stomach. “Everything’s fine.”

“You don’t look fine,” said the visitor. “Do you live here by yourself?”

“Yes, yes,” said the wolf. “Of course, thousands.”

When Little Red heard the visitor, she felt she had a chance. She jammed the key into the first hole of the wolf’s stomach and pulled it straight down to connect all the holes and make an opening for herself. She then jumped out of the wolf’s stomach, pulling her grandmother behind her.

The visitor, frightened to see Little Red and the grandmother come out of the wolf’s stomach, beat the wolf over the head with his briefcase and the wolf fell to the ground dead.

The visitor was happy to see Little Red and the grandmother free, for he had witnessed what he though was a miracle.

The grandmother was happy to be freed by her granddaughter, who she had missed for so many years.

But happiest was Little Red, who liberated herself from the wolf’s stomach. Surely her grandmother inspired her and the visitor gave her courage – but it was her, who liberated herself, and from this she knew she was truly free.

New State of Palestine VISA

I am the proud carrier of a new “State of Palestine” VISA. No, I am not proud that we have IDs that must be stamped at all. In fact, if this conflict has taught me anything, it is that it is part of my duty as a human being to make those “borders” less powerful. To create a world where gender, religion and national identities are no longer life threatening issues, where being a human being is enough to guarantee your human rights.

But in the meantime, I’m going to use my American and Israeli passports to advocate for human rights by stamping them with a new State of Palestine VISA, issued by Ramallah based artists Khaled Jarrar. Even though 100 states recognize the State of Palestine, the PA does not issue a VISA. What does that say about their thinking? Who is more powerful — 100 states or the Israeli occupiers?

I don’t know why the PA hasn’t issued VISAs. But I do know why I am going to be carrying one:

At conception, I was given two identities: human being and female — not woman. When I emerged from my mother’s womb, my parent’s gave me a gendered name and the state gave me a national identity. I was raised as a Jew and at thirteen, given the choice to be in or out. I chose to be in, had a party (Bat Mitzvah) and joined the Jew Crew for life — or so they say.

By 21, this Jewish identity ran into Zionism — and a Zionist narrative that uses the horrors of Jewish genocide and the power of Judaism to mobilize Jewish people for a nationalist cause. As a result of my Birthright journey, I became the Zionist dream, used the racist Right of Return for Jewish people and became an Israeli citizen. Boy, Jews can be stupid sometimes.

But if I’m a little easier on myself, in some respects it was a practical, adolescent decision. I was empowered by the Zionist narrative which took me out of the Jewish minority in America and placed me in the Jewish majority in Israel. I wanted to further explore my American relationship with Israel, a state which receives more American military aid than any other nation and which claims to be representing the Jewish people. The Israeli government made this easy by offering cash, subsidies, tax breaks and other privileges – Jewish organizations also chipped in and offer to fly and ship a bunch of your worldly belongings at no cost to the “Jewish Homeland”. And so, in the land where national identity, ID cards and passports are life or death issues, I naively became an Israeli citizen.

After living for three years in Tel Aviv, enjoying the beach, boys and booze,  my bubble was burst by the Israeli War in (and on) Gaza (2009) and I felt a need to see another face of Israel. I became a border crosser, leaving the seemingly occupation free Tel Aviv for more thorny territories (Israeli soldiers, walls and checkpoints–Oh my!), and lived behind the wall in Palestinian villages — Nabi Saleh (Ramallah) and Beit Ummar (Hebron), Beit Jalla (Bethlehem) and Al – Ram (Al – Quds or Jerusalem). Over the course of two years, I  lived with Palestinian families and engaged Palestinian officials and taxi drivers, artists and accountants to see Israel from their’ eyes.

Rarely was there a day when someone carrying a machine gun didn’t require me to show him or her my ID. “Where are you going? What do you do there? Where are you from?”, all common questions along the journey which determine your fate. But more powerful than the words you say, the disposition you hold or the attitude you carry, was my ID.

To my surprise, my Israeli ID is the easiest to move with. Like all IDs, it provokes questions. When I spoke Hebrew or English to the soldiers, they asked me if I was Jewish. When I started to speak Arabic to them, I got a lot less questions — in fact, life was easier, for this cute, secular dressing girl. Other girl friends of mine, who look more Arab and cover their hair, have a much harder time and boys — well they have it the worst.

Over the past two years, my American passport has become increasingly difficult to move with, since I no longer carry a VISA. A year ago, soldiers would just wave me through — it seemed to be a courtesy to tourists. Now, foreigners enjoy heavier harassment as the Israeli government attempts to intimidate international activists. Deportation of human rights activists has become common place and as a result elaborate schemes have been devised to visit Palestine, even if activists will never go to 1967 Israeli territory.

As a Jewish Israeli citizen, it is illegal for me to enter what was deemed by the Oslo Accords as Area A — all of the cities in the Palestinian territories. If I am arrested by the Israeli Occupation Forces, I can face thousands of dollars in fines and possibly jail time. However, I can move about Area B and C freely — areas that are still under Israeli military control, but were supposed to transition into full Palestinian control within five years. This freedom has enabled settlers to colonize the West Bank and so — in these areas settlers and Palestinians live side by side.

My Israeli passport is by far the easiest to move with since it doesn’t have any indication of my Jewish identity on it.  My Israeli ID on the other hand, has my mother’s Hebrew name on it. In the recent past, the IDs used to explicitly state your religion, while today the identification is more discreet. Of course, this doesn’t stop soldiers from asking questions about my identity and in protest, I answer the question “Are you Jewish?” by telling them that I’m Christian, Muslim and Jewish. Granted that this harassment is nothing compared to what Palestinians  carrying green Palestinian or blue Israeli IDs (Israeli – Arabs) experience, it touches on how powerful an ID is here in a place no larger than New Jersey.

Aside from daily harassment and intimidation, many people face incredibly difficult life-long struggles to stay in their homeland, where they were born, or to return to the land of their parent’s and grandparents. IDs become a weapon which the Israeli government uses to deem who is in and who is out. And of course, this isn’t some haphazard plan — it is an incredibly systematic way to displace Palestinians, win the “demographic dilemma” and to construct the Zionist myth that Israel was “a land without a people, for a people without a land”.

Since I have the inhumane and unwarranted privilege of crossing checkpoints daily, my ID has become one of the most essential objects I carry daily. When Palestinian artist Khaled Jarrar approached me (in Ramallah) with his “State of Palestine” VISA and invited me to stamp my passport I was ecstatic. It enables me to make fun of the current border control system and to create contradictions that the official system doesn’t have a protocol for — yet.  His project provides me with a new tool for protesting the Israeli occupation and an outlet for freedom of expression that was unavailable before.

Luckily, I had the perfect place for the stamp — directly above my Israeli immigration ID, which the Israeli Ministry of Interior put in my American passport. Even though many of my Palestinian friends also carry two passports, due to their green ID registration, the Israeli Occupation Forces will not let them pass the wall into many Palestinian cities (most notably Al Quds / Jerusalem).

American passport with "State of Palestine" VISA (top, left) above Israeli immigration document

Next week I will have my Israeli passport stamped and will be leaving and entering Israel with the State of Palestine VISA in June. Additionally, I will be publishing the numerous stories that I am sure will be prompted by this eloquent project here.

If you would like to have your passport stamped or be involved with the project on other levels, please contact Khaled Jarrar. Additionally, you can support the project by liking the facebook page, “Live and work in Palestine” (which in 24 hours got 500 likes!) and add the State of Palestine VISA to your profile pictures.